Admissions & Auditions

Enrollment in the undergraduate programs in music is contingent on a successful admissions process. The Department of Music office can help with this process and can answer questions. Students wishing to visit the Department of Music to learn about music study may contact Undergraduate Studies Coordinator, Dr. Justin Hunter.

All applicants follow this basic process:

Step 1: Apply to the University of Arkansas

All students apply to the University of Arkansas for admission into undergraduate programs. It is typical for students to apply to the University of Arkansas before applying to the Deparment of Music for consideration into the Bachelor of Music programs and for scholarship opportunities.

APPLY TO UARK

Step 2: Apply to the Department of Music

All students seeking a Bachelor of Music degree must apply to the Department of Music for entry. This application intiates an audition process that admits as student to a particular studio for private instruction. That audition also serves as a scholarship audition to be considered for funding from the Department of Music.

Students should prepare the following information for the application: musical background, names and email addresses for two people who can give a letter of recommendation, and be able to choose an audition date. In the event of virtual auditions, see below, students must also prepare their audition material before submitting their application and provide a shareable link to a cloud storage site or YouTube of the video recordings.

Students interested in the Bachelor of Arts in Music program are not required to apply to the Department, but must do so for scholarship consideration. Those not auditioning for scholarships should contact the Undergraduate Studies Coordinator to discuss their plans in the program. Before private study can begin for BA in Music requirements, students must seek placement into a studio.

APPLY TO MUSIC

Step 3: Auditions

On-campus auditions are required of all Bachelor of Music applicants and Bachelor of Arts in Music students wanting to be considered for scholarship. On rare occasion, "virtual" auditions are allowed for applicants in need. Please reach out JR Hinkson should you need to arranged an audition through video submission.

All audition dates include information sessions on scholarships, ensembles, degree options, and our Living Learning Community for music majors. These meetings are held with area faculty as well as department administration. Families are welcome to attend the joint meetings but will not be allowed to attend the audition appointments.

Audition Dates

Voice Auditions

Voice audition days begin around 9:00am. The day includes meet and greet sessions with faculty and prospectives, campus tours, choir rehearsals, joint voice studio classes, and the audition. The audition includes the singer performing for at least one choir director and at least two voice faculty members.

October 24, 2024
January 23, 2025

Woodwinds, Brass, Percussion Auditions

Woodwinds, Brass, and Percussion auditions are done jointly. These dates typically begin in the morning with a meet and greet with faculty and students in the Band area. This session includes info on the Razorback Marching Band. Auditioners then break into individual sessions for their audition that include one band director and the applied lessons professor.

Friday, January 31st
Friday, February 7th
Friday, March 7th
Friday, April 4th

For non-music major auditions into the Band programs, please visit bands.uark.edu.

String & Orchestra Auditions

The String area holds auditions for music majors and non-music majors together for scholarship offers into the University Symphony Orchestra. These audition days typically start in the afternoon and include time with faculty, hearing the University Symphony Orchestra, and the audition. The audition includes the performer with the director of USO and at least one string faculty member.

February 17, 2025
March 3, 2025

Piano Auditions

The Keyboard Area will hold one-off auditions arranged for each student. Fill out the music major application and email Dr. Tomoko Kashiwagi to arrange your audition for admission and scholarship consideration.

Guitar Auditions

The Guitar Area will hold one-off auditions arranged for each student. Fill out the music major application and email Dr. Jake Hertzog to arrange your audition for admission and scholarship consideration.

Specific reperatory details and contacts:

Brass

CONTACT - Dr. Cory Mixdorf cmixdorf@uark.edu

Students should also be prepared to perform from memory the chromatic and all major scales. In addition, a sight-reading excerpt will be required during the audition.

Guitar

CONTACT - Dr. Jake Hertzog, jhertzog@uark.edu

Guitar students will choose to focus primarily on either a classical or jazz genre in their studies.

Those looking to focus classical guitar will be expected to perform two pieces of music in their audition: one by Carcassi, Sor, Bach or Tarrega and a second of their choosing.

Those looking to focus on jazz guitar will be asked to play various chords and scales in multiple keys including Major 7th, minor 7th, dominant 7th seventh chords, the major scale and the melodic minor scale. They will be expected to perform either the Charlie Parker blues "Perhaps" or "Billies Bounce" from memory and improvise over blues chord progressions. Students should prepare a list of five jazz standards they are able to play and improvise on, to be performed with either a backing track (student provided) or house rhythm section.

In lieu of the classical or jazz repertoire outlined above, students with primary backgrounds in contemporary music may elect to perform two contrasting guitar solo transcriptions from rock, heavy metal, progressive rock, bluegrass, blues, country or world music other guitar style. Selections must be performed along with the recording and hard copy transcription must be provided to each faculty reviewer (three copies). Students will also be asked to demonstrate chords, scales, sight reading and aural skills.

All auditions will include sight reading and ear training.

Jazz

Studio professors and jazz faculty determine admission and scholarships based on a dual audition (jazz and classical/traditional/non-jazz together). These students will specify in advance they seek the jazz concentration.

Students prepare a mixture of jazz and non-jazz. One audition held with both jazz and studio faculty present. In the event that these auditions cannot be simultaneous, they will be scheduled in adjacent time slots.

CONCTACT - Dr. Jake Hertzog, jhertzog@uark.edu

For the jazz portion of the audition, students should prepare a medium tempo F Blues (Billie’s Bounce or similar) and two other contrasting jazz standards (i.e. ballad, waltz, uptempo, Bossa nova, funk, fusion, etc.). Students must provide sheet music (3 copies) and backing tracks or links to backing tracks. Students will be expected to play the melody and improvise over the chord changes. Rhythm section players will be asked to demonstrate various jazz accompaniment styles (swing, funk, ballad). Vocalists will be expected to perform three contrasting jazz or popular music selections (swing, Latin, pop, musical theater). Vocalists should provide lead sheets and backing tracks to each selection.

Drummers and percussionists auditioning for the Jazz Concentration should display at least three styles as follows:

16 bars of medium tempo swing and 16 bars of up tempo swing displaying comping and fills
16 bars of rock or funk
16 bars of latin-jazz (mambo, bossanova or samba).

Since the program also includes study of the mallet instruments, snare drum, timpani and hand drumming, students are encouraged to also display their skills in these areas. See the Percussion Area section below.

Vocalists looking to pursue an emphasis in jazz studies should be prepared to perform three songs with piano accompaniment in contrasting styles and rhythms. One classical (art song, opera, operetta, classical musical theatre), one jazz and one contemporary (pop, soul, rock, R&B, folk). All songs should be memorized and demonstrate technical proficiency, musicality, and an aptitude for success through continued study.

Every audition will also include a sight-reading and ear-training excerpt.

Because of limited space, each professor may only be able to accept a select number of students into their studio each year. Your preparation and attention to technique, phrasing, originality and expression for the audition is vital to your success. See the Voice Area section below.

Students currently enrolled as music majors in any music degree (BM, BA, BME) may audition to transfer into, or add, the BM in Performance with the Jazz Studies Concentration. This audition will be offered once each fall and spring semester during the Jazz Area Ensemble Placement Auditions. It will consist of sight reading, improvisation, and a prepared excerpt from large ensemble music. Repertoire will rotate each term. Students will be evaluated by at least three jazz area faculty.

For students not currently in a B.M. Performance Degree, acceptance to the Jazz Studies Concentration will be contingent upon acceptance into an applied studio at the B.M. Performance level.

Percussion

CONTACT - Professor Chalon Ragsdale, ragsdale@uark.edu

Percussion applicants should prepare a variety of materials for audition. Typically, this includes:

Concert snare drum etude or solo
Rudimental snare drum etude or solo
2-mallet marimba or vibraphone etude or solo
4-mallet marimba or vibraphone etude or solo
Timpani etude or solo

Additionally, applicants are expected to:

Sight-read on snare drum
Sight-read on 2-mallet marimba
Play a few rudiments and 2 or 3 octave scales

Those wishing to audition with drum set, hand drums, or marching tenors are encouraged to send video auditions so that the student can use their own kit and drums for auditions. Please email Professor Ragsdale with these video submissions and for any other questions.

Drummers and percussionists auditioning for the Jazz Concentration should display at least three styles as follows:

16 bars of medium tempo swing and 16 bars of up tempo swing displaying comping and fills
16 bars of rock or funk
16 bars of latin-jazz (mambo, bossanova or samba).

Since the program also includes study of the mallet instruments, snare drum, timpani and hand drumming, students are encouraged to also display their skills in these areas. See the Jazz Area above.

Piano

CONTACT - Dr. Tomoko Kashiwagi, tkashiwa@uark.edu

Piano applicants prepare a number of pieces based on the degree plan to which they are applying.

Performance: Prepare at least 3 pieces (20-30 minutes total), memorization is required
Music Education (Piano/Choral): Prepare at least 2 pieces (15-20 minutes total), memorization is preferred)
Bachelor of Arts / BM with Business Electives / Minor of Music / BM Composition: Prepare at least two pieces (10-20 minutes total), memorization is preferred)

Recommended Reperatory List

Baroque composition

Examples: a Prelude & Fugue, Toccata, Suite, Sonata or another similar work by any composer from the 17^th + early 18^th centuries (such as J.S. Bach, F. Couperin, Scarlatti, or Jacquet de la Guerre)

First movement of a Classical sonata

Examples: a movement of a Sonata, Fantasy, Variations, Rondo or another similar work by any composer from the 18^th + early 19^th centuries (such as Haydn, Mozart, Clementi, Martinez, or Beethoven)

19^th century composition

Examples: a Song without Words, Ballade, Scherzo, Intermezzo or similar piece by any composer from the designated era (such as Fanny or Felix Mendelssohn, Robert or Clara Schumann, Farrenc, Chopin, Alkan, or Brahms)

20^th/21^st century composition

Examples:, a keyboard piece by any composer from the designated era (such as Beach, Price, Gershwin, Rzewski, Debussy, L. Boulanger, Messiaen, Albeniz, Liebermann, Kapustin, Prokofiev, Schoenberg, or Widmann)

Etude

An Etude or Study-type piece by any composer (Chopin, Moszkowski, Liszt, Scriabin, Rautavaara, etc)

Non-traditional option: a selection which showcases the candidate’s expertise in a stylistic area other than in Western Classical (i.e., jazz/improvisation, sacred music, or other non-traditional keyboard genres)

Strings

The UA String Area auditions any player wishing to be major or minor in music as well as those seeking scholarships in the UA Symphony Orchestra. Each catergory below is divided into "music major" auditions and "non-major/minor" auditions. Applicants should be able to perform the following based on their respective instrument.

For questions on the String Area, contact Area Coordinator Dr. Er-Gene Kahng, ekahng@uark.edu

Violin - CONTACT Dr. Er-Gene Kahng, ekahng@uark.edu

Music Majors & Music Minors/Non-Major

All candidates should prepare two contrasting pieces in a style of their choosing. Non-classical styles are welcome.

Viola - CONTACT Dr. Tim MacDuff, tmacduff@uark.edu

Music Majors

selected 3-octave scales (from a method such as Mogill/Hrimaly, Barbara Barber, Carl Flesch)
One étude demonstrating the applicant’s highest level of technical proficiency (e.g. an étude by Wohlfahrt, Kayser, Mazas, Bruni, Dont Op. 37, Kreutzer, etc.)
A movement from a work for solo viola (e.g. Bach Cello Suites)
A fast movement from a concerto with cadenza (if applicable) (e.g. Hoffmeister, Stamitz)

Non-Major/Minor

selected 3 octave major / minor scales and arpeggios
two contrasting pieces (one of which may be an etude) which represent the candidate's highest musical achievement.

Cello - CONTACT Dr. Pecos Singer, psinger@uark.edu

Music Majors

selected 3 octave scales and arpeggios
any 1 etude (D. Popper, 40 Studies High School of Cello Playing, Op. 73 or A. Piatti, 12 Caprices Op. 25 are recommended.)
any 2 movements from the Cello Suites by J.S. Bach BWV 1007-1012.
one solo compositional work of the applicant’s choice

Non-Major/Minor

scale: 1 major and 1 melodic minor in any key of applicant's choice (*60 bpm per quarter note and 4 notes per bow. 3 octaves are recommended).
any 1 movement from the Cello Suites by J.S. Bach BWV 1007-1012.
one solo compositional work of the applicant’s choice

Bass - CONTACT Professor Garrett Jones, gaj02@uark.edu

Music Majors

selected two-octave scales
perform two works of contrasting styles that best represent the student's highest technical and musical achievement – for example:
a movement from a Baroque sonata or suite (by composers who composed before 1750, such as Eccles, Marcello or Bach, for example) is recommended
a movement from a concerto, sonata, or a short solo piece (or etude) from a later time (after 1750, from the classical, romantic, or modern periods) is recommended
accompaniments are encouraged, but not required

Non-Major/Minor

selected two-octave scales
two contrasting pieces (one of which may be an etude, from Simandl's Book I, or 30 Etudes Book for instance) which represent the candidate's highest musical achievement

Voice

CONTACT - Professor Lauren Clare, lclare@uark.edu

Bachelor of Music Education and Performance majors should be prepared to perform two songs in contrasting styles from the standard repertoire (e.g., First Book/Second Book of Solo Songs compiled by Joan Boytim, various Italian, German or French Art Song collections, etc.).

Bachelor of Arts in Music, Bachelor of Music in Composition or Theory applicants may audition with one contemporary song selection with one song from the standard repertoire.

Songs should be memorized and demonstrate technical proficiency, musicality, and an aptitude for success through continued study. Singing at least one piece in a foreign language is recommended for all applicants.

All applicants should be prepared to sightread a short excerpt.

Every audition will also include a sight-reading and ear-training excerpt.

Woodwinds

CONTACT - Dr. Nophachai Cholthtichanta, nc@uark.edu

In preparation for the audition you will need to choose two excerpts of contrasting style that best represent your highest technical and musical achievement. Movements of a sonata, concerto or other standard solo repertoire are preferred. Students should also be prepared to perform from memory the chromatic and all major scales. In addition, a sight-reading excerpt will be required during the audition.