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Musicologist and keyboardist at the University of Arkansas
since 1982, Professor Detels received her B.A. from Colorado College (1975),
and her M.A. (1979) and Ph.D. (1982) in Historical Musicology from the University
of Washington in Seattle, in addition to fellowships at Cambridge University
(2000-01), and the National Endowment for the Arts summer seminars in
German Romantic Criticism (1987, with Ernst Behler), Philosophy and the Histories
of the Arts (1991, with Arthur Danto), and Opera: Between the Disciplines
(2000, with Carolyn Abbate).
Detels' published books include Soft Boundaries: Re-Visioning the Arts
and Aesthetics in American Education (Bergin and Garvey) Music in the
Western Tradition (Mayfield, 1998; rev. Brown and Benchmark, 2004;
William Grant Still Studies at the University of Arkansas:
A 1984 Congress Report (University of Arkansas, 1985, editor). Her articles
on interdisciplinary arts, aesthetics, and late 19th-century Italian opera
have appeared in The Journal of Aesthetics and Art Criticism, boundary
2, ACT, the Yearbook of Interdisciplinary Studies in the Fine Arts,
The Opera Journal, The International Dictionary
of Opera, and the Dictionary of American Philosophers. She has
been a frequent speaker at national meetings of the Nineteenth Century Studies
Association, the American Society for Aesthetics, the College Music Society,
and the Feminist Theory and Music Symposia. In addition, she has served
as Chair of the Committee on Aesthetics in Higher Education for the American
Society for Aesthetics, as board member of Gender Research in Music Education
and for the on-line journal Gender, Education, Music, and Society; as Vice
President and Board member of the Arkansas Music Educators Association for
interdisciplinary matters, and as a member of the international Mayday Group
for curricular reform in music education.
In the area of teaching, Dr. Detels has been highly active with the University
of Arkansas Teaching and Faculty Support Center (TFSC) since its establishment
in 1992: attending the annual Teaching Camp four times, and serving as a portfolio
instructor, mentor and member of the TFSC Teaching Council. She is the winner
of numerous grants and awards for teaching, including the 1993 Chancellor-Mentor
Teacher award, four Fulbright College Teaching Innovation grants (1995-98,
and a 1999 WISE award for "Women in Significant Endeavors” in Northwest Arkansas.
In the area of performance, Dr. Detels has studied with harpsichordists
Margaret Gries and Larry Palmer and pianists Neil O’Doan, Alan and Alvin
Chow, and Claudia Burson; and has performed frequently as a solo harpsichordist
and keyboard accompanist in the state and region, including with the Butcher-Detels
Duo (a 4-hand piano ensemble), the Boston Mountain Chamber Players, the Early
Music Consort of Kansas City, the Duo Courante (with flutist Leonard Garrison),
the Quartette Courante (with Garrison, Diane Bucchianeri, and violinist Maureen
O’Boyle, the North Arkansas Symphony Orchestra, the University of Arkansas
Schola Cantorum, and the Collegium Musicum (which she directs).
Links to on-line articles by and about
Claire Detels:
1. Detels, “Whither Feminist Aesthetics?” in ACT : Action, Theory and Criticism
in Music Education 5/1 (January 2006). Website: http: //www.siue.edu/MUSIC/ACTPAPERS/v5/Detels5_1.pdf
2. Detels, “Softening the Boundaries of Music in General Education,” ACT:
Action, Theory and Criticism in Music Education 1/1 (April 2002).
Website: http://www.siue.edu/MUSIC/ACTPAPERS/ARCHIVE//Detels.pdf
3. Review of Detels, Soft Boundaries: Re-Visioning the Arts and Aesthetics
in American Education (Bergin and Garvey, 1999), by Arnold Berleant in Aesthetics
Online. Website:
http://www.google.com/search?q=cache:5lt_TAfssIwJ:www.aesthetics-online.org/ideas/berleant.html+&hl=en
4. Bowman, Wayne. “Déjà vu all over again? A Critical
Respohnse to Claire Detels’s Helsinki Discussion Paper (#2, above) in ACT:
Action, Theory and Criticism in Music Education 1/1 (April 2002). Website:
http: //www.siue.edu/MUSIC/ACTPAPERS/ARCHIVE/Bowman2Detels.pdf
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